The Art & Words Show ran from 2013-2020 but is no longer in operation. To view the art from the 2020 Art & Words Show, download the PDF.
What was the Art & Words Show?
The Art & Words Show ran from 2013-2020 and is no longer running.

The first Art & Words Show took place in 2012. For these shows, I accepted ten-twelve visual pieces of art and ten-twelve written pieces (poetry, flash fiction, and flash nonfiction). Each writer whose work I chose then picked, from the visual submissions, one piece of visual art on to use as inspiration to compose a new written work. Each visual artist then chose one of the written pieces to use as inspiration for a second visual work. This silent collaboration produced about forty-four incredible, original works of art and words, which were displayed at Art on the Boulevard in Fort Worth, Texas, for one week. An opening reception was held the first night of the show. At the show’s opening, I hosted the reading of the written pieces.

Celebrating Our Participants
Several of the written works from the shows were reprinted from magazines or went on to be published in magazines, some of which you can read for free, linked below.
- “His Hand” by Michael Stalcup in Archetype
- “Depraved of Connection” by JT Morse in Art Houston
- “Cardinal” by Kelly Talbot in Rio Grande Review
- “The Archivist Writes to The Montgomery County Texas Sheriff’s Department, Regarding Missing Property” by T.D. Walker in Maps of a Hollowed World
- “Last Generation: The Engineer Composes a Message Before Departing for the Planet” by T.D. Walker in Maps of a Hollowed World
- “Three Poems of the Last Generation” by T.D. Walker in Unlikely Stories
- “Neighbors and Little Thieves” by Monica Evans in Flash Fiction Online
- “The Dissolution of Icarus or Julia Childs Favorite Roast Chicken Recipe” by Michelle Muenzler in Liminality
- “City Magic” by Julie C. Day in Cincinatti Review
- “Lights in the Forest” by Patricia Flaherty Pagan in Curious Fictions
- “Do-It-Yourself-Narcissus” by Sandy Beach in MN Artists
- “Flash Floods” by Logen Cure in Easy Street
- “Chopin Falls in Love with the Night (1827-1846)” by Holly Walrath in The Avenue
- “Separation Anxiety” by T.D. Walker in Strange Horizons
- “After the Night Ride” by Laura Madeline Wiseman in Silver Blade
- “Odd Hours” by Tony Pisculli in Grievous Angel
- “The Piper’s Due” by William Ledbetter in Daily Science Fiction
- “Madness” by Holly Walrath in Crab Fat Magazine
- “Notes Toward a Eulogy for Celis Margrave” by T.D. Walker in Web Conjunctions
- “To Escape the Witch’s House” by Layla Al-Bedawi in Liminal Stories
- “Those Who Are Left” by Cassandra Rose Clarke as part of a reading at the Contemporary Arts Museum of Houston
- “The Cats of Dornishett” by Michelle Muenzler in Skelos
- “630ml” by Tony Pisculli in The Arcanist
- “The Last Bombardment” by Kenneth Schneyer, adapted for stage by Oncoming Productions for Minnesota Fringe
- “Alambre” by Holly Schofield in Every Day Fiction
- “Lady of Gold” by Karen Bovenmyer in Remixt
- “Propagation” by Layla Al-Bedawi in Strange Horizons
- “Original Trolls” by Laura Madeline Wiseman in GIMME YOUR LUNCH MONEY: Heartland Poets Speak Out Against Bullies
- “What the Rats Saw” by Katharyn Howd Machan in Postcard Poems and Prose
- “The Dream In Which Every Time I Ask For a Parable, a Man Hands Me a Fish” by Joe Milazzo in Black Warrior Review
- “Myth of the Mother Snake” by Carrie Cuinn in Liminality
- “Future Fragments, Six Seconds Long” by Alex Shvartsman in Diabolical Plots
- “O What Freedom, This Great Steel Cage” by Shane Halbach in Analog
- “Crossing the Fairy Threshold” by Laura Madeline Wiseman in Silver Blade
- “Man in the Moon” by Camille Griep in cahoodaloodaling
- “What the Dollhouse Said” by Karen Bovenmyer in Devilfish Review, audio reprint in Pseudopod
- “Off-Campus Housing” by Holly Schofield in AE: The Canadian Science Fiction Review, reprinted in Quarterreads and Meduspod
- “Those Menacing Invites” by Matthew Pitt in Hobart
- “Medusa Panties” by David Sklar in Cold Reads
- “Keith Crust’s Lucky Number” by Alisa Alering in Flash Fiction Online
- “Drinking Grandma’s Tea” by Julie C. Day in Bartleby Snopes
- “The Sweet Life” by Aidan Doyle in Everyday Fiction
- “Copy Machine” by Shane Halbach in Flash Fiction Online
- “Fox Watches, Refusing to Smile” by Katharyn Howd Machan in Spoon River Review
- “The Rumination on What Isn’t” by Alex Shvartsman in Nature
- “The Scene” by Janet St. John in Passages North, reprinted on her website
- “Crazy” by Nan Byrne in Seattle Review
- “Hansel Lost” by Joseph Stanton in Spoon River Poetry Review
- “A Kingdom for a Horse” by Aidan Doyle in Penumbra
- “The Last Bombardment” by Kenneth Schneyer in Pseudopod
- “Selecting” by John M. Shade in Daily Science Fiction
- “Six Drabbles of Separation” by Kenneth Schneyer in audio format on The Drabblecast
- “The Machine” by Sean Robinson in Daily Science Fiction
- “Crab Feast” by Cynthia Ray in Dark Bits
- “The Unmoveable Sky” by Deborah Walker in Poe Little Thing, reprinted in After Ever After and The Toasted Cake
- “The Faces Between Us” by Julie C. Day in Interzone
- “A Meal” by Anca Szilagyi in The Cafe Irreal
- “Crash Landing” by Julie C. Day in Flashquake
- “Infinitite, 2 AM” by Sarah Kate Moore in Pacifica Literary Review
- “Totality” by Tony Pisculli in Daily Science Fiction
- “Paradigm Shift” by Julie C. Day in Electric Velocipede
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