“The Centaur’s Daughter”

“The Centaur’s Daughter” (published in A Capella Zoo, 2015) was reviewed at New Pages:

Bonnie Jo Stufflebeam’s “The Centaur’s Daughter” achieves a more nuanced approach to a queer text. First and foremost a coming of age narrative, Ruby’s queerness is one part of her character. Ruby is half centaur and queer, and Stufflebeam uses language reminiscent of a mixed-race family to discuss Ruby’s parentage. When Ruby narrates, “I’m a combination of my parents, and so they will never understand me,” she speaks from a place of real cultural confusion. Her teenage life is not like the “Centaursploitation movies” Stufflebeam references, and while Ruby loves her centaur father, she is also frightened of him and embarrassed by him. Stufflebeam’s piece makes queerness familiar because Ruby is a queer character, but she is so much more in ways that are both relatable and strange.

The story is available in print and free online.

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“The Girl with Golden Hair” in Beneath Ceaseless Skies

I have a new story in Beneath Ceaseless Skies today, “The Girl with Golden Hair.” I’m excited about this story for three main reasons:

1. I wrote a story about a friendship between a girl and a centaur. I love stories about friendship. I don’t generally have a preformed like or dislike for stories about centaurs, but oddly enough, this is not the only centaur story I have coming out this year. One would think I write lots of stories with centaurs. I don’t.

2. My good friend Michael J DeLuca narrated the podcast and did an awesome job: http://www.beneath-ceaseless-skies.com/audio/bcs-153-the-girl-with-golden-hair/

3. I wrote this story hoping to explore the trope of the golden-haired main character in so many fairy tales. Growing up, I was always fielding comments about my hair. I heard everything from dumb blonde jokes told by peers in middle and high school to a remark made to my father: “You have no idea how much money you’ve saved by having girls with blonde hair. Hair dye is so expensive!” I was tired of these comments before I even knew how to respond. And so, when I read about or see the golden-haired princess or heroine, I’m always wary. I wanted to literalize the golden hair aspect, making the hair real gold, so heavy it hurts the wearer’s neck. The hair becomes a burden, along with the expectations it brings with it. Everyone expects Oovis, the main character in this story, to do great things. She internalizes these expectations, setting a high precedent for herself that she may never be able to fill.