I wrote a thing for the SFWA blog about the pros and cons of going low-residency for an MFA in Creative Writing. Check it out here.
One of the most difficult parts of writing is establishing a routine. One piece of advice I heard as a beginning writer was that I should write every day, no matter what. That advice is repeated as gospel in workshops, on convention panels, in writing advice books. I don’t believe that writing every day is the path for every writer–it doesn’t take into account writers with families and day jobs and can create a lot of anxiety and guilt for writers who struggle with mental health and may not always have the energy–but a routine that allows you to get in as much writing as you possibly, personally can is a great tool.
But let’s face it: sometimes internal motivation just isn’t enough. (Like that week when watching every Harry Potter movie in a week seemed like a better idea than writing, for example.) For those times I take to using external motivational tools.
Different motivational techniques will work for different writers. For me, a technique will work for a brief period, at which point I find I need to switch to a new system, or to take a break from systems altogether. Because of this, I’ve tried a lot of different methods. Here’s a few to sample for yourself.
1. Beads in a Jar
My friend Katie Crumpton first told me about this one. I like it because it offers rewards at various intervals, which helped me immensely with the long slog of novel-writing (since writing novels doesn’t offer as much immediate reward as, say, short stories, where you finish and feel that sense of accomplishment sooner).
To take advantage of this technique, first get a bag of beads from a craft store. Then paint a series of five or so lines up a jar. Assign a different reward to each line. Every time you accomplish a writing task–writing so many words in a day, submitting a story, updating your website, attending a conference, etc.–drop a bead in the jar. When the beads reach the first line, reward yourself with the first reward. When they reach the second, reward yourself with the second reward. Continue until you reach the top, then dump out the beads and begin again.
2. The Check-In
When I started working on my first novel, I entered into an agreement with a friend of mine, Karen Bovenmyer, that every Monday we would email each other our goals for the coming week and would give a rundown of our accomplishments for the week previous. This helped me immensely with that initial motivation. Now, two years later, we’re still emailing nearly every Monday, and even if I no longer need external motivation, I love hearing what she’s up to.
3. Marking a Calendar
This technique works best for me to track how productive I’m being in a particular period of time. This one may also be the simplest: get a yearly calendar and mark every day that you write. I also mark any days on the calendar where I know I won’t be able to write with an X. This helps me when I’m trying to finish a particular piece, writing so many words every day; knowing which days I won’t be able to write helps me calculate how many words I need to write those other days.
4. The Magic Spreadsheet
I haven’t personally used this one for any length of time, but I have heard from many writers that it helped them immensely. The Magic Spreadsheet was created by my friend Tony Pisculli and exists in a series of massive Google Spreadsheets. To check it out, join the Google + group here or the Facebook group here, where they release a new sheet for each month.
Serving to gamify writing routine, the Magic Spreadsheet allows you to track the number of words that you write each day. You must write at least 300 in a day to earn any points. If you write more, you get more points. You level up as you earn points.
There are no external rewards in place here, but if you’re a competitive person, the points alone may do it for you. I’ve also heard of some people who reward themselves when they level up.
Mur Lafferty talked about the Magic Spreadsheet on her podcast I Should Be Writing in 2013.
Speculative Fiction Showcase interviewed me on Strange Monsters, my writing soundtrack, and my influences here.
The second review for Strange Monsters is in from Midwest Book Review!
Strange Monsters: A Music & Words Collaboration is a unique hybrid of audiobook anthology and music CD. Each track consists of a brief fiction story (or poem) set to contemporary jazz music and performed by actors. The tales meld elements of surreal fantasy and fearful suspense: Rumpelstiltskin’s wife is questioned by police over the disappearance of a local boy; a cursed ballerina who yearns only to dance must deal with an obsessive fan and the hatefully jealous director of her ballet company; a group of do-nothing friends in love with the same woman discover disturbing skeletons of extinct animals on a treacherous camping trip; and more. Haunting, ethereal, and unforgettable, Strange Monsters is music-storytelling fusion experience like no other. Highly recommended. The tracks are “The Stink of Horses”, “Mrs. Stiltskin”, “Skeletons”, “No Eyes”, “Selected Poems”, and “Where You Came From”.
For more information on the album, along with links for purchase at Amazon, CDBaby, and iTunes, click here.
I’ve always been interested in the little-explored pieces of the original Little Mermaid story: the lives of the sisters, the weird concept of souls, the sea witch’s back story. I wrote a story about all these things. Today it’s been reprinted online in Grendelsong: https://grendel-song.com/2016/05/07/sisters-bonnie-jo-stufflebeam/
“Sisters” originally appeared in SCHEHEREZADE BEQUEST.